in “BROTHERS IN ARMS” (c) Effy Grey
in “BROTHERS IN ARMS” (c) Effy Grey
brothers in arms
AT LA MAMA E.T.C | AT PLAXALL GALLERY | 2021-2022 | MAX
Brothers in Arms is a devised theatre piece exploring isolation, survival, connection and intimacy. Set in an undefined space during a moment of crisis, the piece, built from the experiences of its Dominican-American and Scottish creators, unpacks shifting ideas about memory, comradery and communication.
in “ELLIS ISLAND” (c) Peter Azen
in “ELLIS ISLAND” (c) Peter Azen
ELLIS ISLAND
AT RATTLESTICK | JUNE 2021 | HAMISH
Ellis Island is a research-based multimedia play that examines why we leave the places we are born, why we go to the places we do, the hurdles we must cross on the way and how our sense of self is maintained in our new home.
“...thanks to Clements’ and Mac Mahon’s chemistry...the two form likable allies and interesting foils...as Hamish and Claire’s fates coalesce, both must consider whether “becoming American” is even possible, let alone worth its cost"”
- THE THEATRE TIMES
in “AGUA, VIDA Y TIERRA” (c) Andrew Watkins
in “AGUA, VIDA Y TIERRA” (c) Andrew Watkins
AGUA, VIDA y TIERRA
AT MITU580 | NOVEMBER 2019 | BRAD-LINDSEY/LEAD ENSEMBLE
A devised, multi-media play telling the story of Hurricane Maria and its impact on Puerto Rico.
in “SOURCES OF LIGHT OTHER THAN THE SUN” (c) Pablo Caldéron-Santiago
in “SOURCES OF LIGHT OTHER THAN THE SUN” (c) Pablo Caldéron-Santiago
SOURCES OF LIGHT OTHER THAN THE SUN
WORKSHOP AT HUDSON GUILD THEATRE | PREMIERE AT HERE ARTS CENTRE | 2016-2018 | BRADEN DUNNE
Off-Broadway premiere of historical drama set in the trenches of World War One.
“…impressed by the gravitas of the ensemble of actors”
- THEATRE IS EASY
in THE DIANA TAPES (c) Pablo Caldéron-Santiago
in THE DIANA TAPES (c) Pablo Caldéron-Santiago
the diana tapes
EDINBURGH FRINGE | NORTH AMERICAN TOUR | PREMIERE AT HERE ARTS CENTRE | OFF-WEST END TRANSFER TO LONDON’S STOCKWELL PLAYHOUSE | 2016-2018 | ANDREW MORTON
This media thriller told the true story of Princess Diana’s secret tapes, recorded as her marriage collapsed and smuggled to journalist Andrew Morton, who turned them into one of the best-selling biographies of all time.
“[Clements is] impressive…incredibly compelling…[and] excellent”
- BROADWAYWORLD
“Clements’ portrayal…shines brightest”
- BLOGCRITICS
“…the strongest of the cast”
- MY ENTERTAINMENT WORLD
“Clements delivers a blazing performance”
- EDGE MEDIA NETWORK
in “UNTITLED SHAPE SHOW” (c) Pablo Caldéron-Santiago
in “UNTITLED SHAPE SHOW” (c) Pablo Caldéron-Santiago
UNTITLED SHAPE SHOW
NORTH AMERICAN TOUR | 2017 | RECTANGLE
A theatre for young audiences musical about inclusion, diversity and the power of self-expression.
in “THE COWARD” (c) Alex and Greg at Reel Duty
in “THE COWARD” (c) Alex and Greg at Reel Duty
THE COWARD
WOW CAFÉ THEATRE | APRIL 2016 | OSCAR
A mad-cap feminist fairytale combining multiple performance practices and techniques to provide an over-the-top, in-your-face revision of what modern fairy tales can and should be.
“Clements, amuses in overly-baggy sweaters and droopy eyes”
- VICE’S THE CREATORS PROJECT
“…decorated with a great supporting cast, notably Scottish heart throb James Clements as Oskar”
- SOPHIA HEINECKE BLOG
in “THE INDUCTION OF LADY M” (c) Michael Kalinkowski
in “THE INDUCTION OF LADY M” (c) Michael Kalinkowski
THE INDUCTION OF LADY M
GREENPOINT GALLERY | DECEMBER 2015 | MACBETH
An immersive re-telling of Shakespeare’s Scottish classic, in which Lady MacBeth changes the ending to which we have all become accustomed in thrilling and terrifying ways.
“[the] actors mingle with the crowd, introducing different forms of ritual”
- VICE’S THE CREATOR’S PROJECT
in “CONSTRUCTING FREEDOM” (c) Kirsty Clements
in “CONSTRUCTING FREEDOM” (c) Kirsty Clements
CONSTRUCTING FREEDOM
WORLD TRADE CENTRE | JUNE 2015 | WORKER #4
A workshop production of a site-specific choreopoem, telling the story of the rebuilding of the World Trade Centre, set on the 64th floor of Tower Four.
in “YOU DON’T HAVE TO GO HOME” (c) Fred Lam
in “YOU DON’T HAVE TO GO HOME” (c) Fred Lam
YOU DON’T HAVE TO GO HOME
THE PRODUCER’S CLUB | APRIL 2015 | Webb
“You Don’t Have to Go Home” is a series of four original one-act plays written and directed by local artists. Each play follows a different set of characters home after an unseen party on a weekend night in New York.
in “THE GOLDEN TOAD” (c) Anna Kirlay
in “THE GOLDEN TOAD” (c) Anna Kirlay
THE GOLDEN TOAD
LA MAMA E.T.C. | FEBRUARY 2015 | TOURGUIDE
Talking Band celebrates their Fortieth Season with an episodic music-theater work that traces the shifting identities of its characters over time and changing circumstances.
“…a long, often amusing journey of discovery...it’s characters do most of the discovering” - NEW YORK TIMES
in “DOGS OF DC” (c) Bailey Nassetta
in “DOGS OF DC” (c) Bailey Nassetta
DOGS OF DC
MANHATTAN REPERTORY THEATRE | NOVEMBER 2014 | MR. WYNDHAM
An unapologetic, rip-roaring farce that takes the audience into the animal kingdom of politics where intrigue, subterfuge and carnage dominate the minds of those who toy with our fate.
in “DEAR FRIEND,” (c) Bailey Nassetta
in “DEAR FRIEND,” (c) Bailey Nassetta
DEAR FRIEND,
GREENSIDE CHURCH - EDINBURGH FRINGE | AUGUST 2013 | B
“Dear Friend,” is a play about a man who escapes his mundane life in order to discover what it means to be himself in a world that’s constantly labeling him and limiting him.
“…the three characters explore limitations in our life and address them through song, voice and movement…” - THREE WEEKS EDINBURGH
SELECT NYU ROLES
DOGS OF DC (SENIOR THESIS) | MR. WYNDHAM
WORKSHOP | MAY 2014 | DIRECTED BY JAMES CLEMENTS
THE SERPENT | CAIN
MAINSTAGE | NYU | NOVEMBER 2013 | DIRECTED BY TINA SHEPHARD
ANTIGONE | KING CREON
WORKSHOP | DECEMBER 2012 | DIRECTED BY KATE WHORISKEY
THE WORLD IS ENDING | PARIS
DEVISED SHOW | NOVEMBER 2012 | DIRECTED BY BRYN HEYDRICH